Download e-book for iPad: Afro-Cuban Identity in Post-Revolutionary Novel and Film: by Andrea Easley Morris

By Andrea Easley Morris

Afro-Cuban identification in Post-Revolutionary Novel and movie examines the altering discourse on race as portrayed in Cuban novels and movies produced after 1959. Andrea Easley Morris analyzes the artists’ participation in and wondering of the progressive government’s revision of nationwide id to incorporate the original event and contributions of Cuban women and men of African descent. whereas the Cuban revolution introduced sweeping alterations that significantly more desirable the cloth situation of many Afro-Cubans, on the time overrepresented between Cuba’s terrible and marginalized, the government’s professional place used to be that racial inequities were resolved as early as 1962. even if a extra open discussion on race was once reduce brief, the paintings of numerous novelists and movie administrators from the past due Nineteen Sixties and 70s expresses the necessity to discover what used to be received and misplaced by way of Afro-Cubans within the early years of the revolution, between them Manuel Granados, Miguel Barnet, Nivaria Tejera, Sara Gómez, César Leante, Tomás Gutiérrez Alea, Sergio Giral, and Manuel Cofiño.

Their works perform the method of redefining Cuban nationwide id that happened after the revolution and, extra particularly, they discover where of Afro-Cuban identification inside a broader suggestion of innovative “Cubanness.” this happens via an emphasis on Afro-Cuban cultural practices that experience constituted kinds of resistance to colonial and neo-colonial oppression. This ebook examines the identification conflicts portrayed in those works and takes under consideration the artists’ negotiation in their personal prestige in the innovative context by means of the narrative thoughts used to handle racial concerns in the constraints put on cultural creation in Cuba after 1962.

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Afro-Cuban Identity in Post-Revolutionary Novel and Film: Inclusion, Loss, and Cultural Resistance by Andrea Easley Morris


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